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If shattering ballet’s traditional gender roles in the form were the sum total of King’s innovation, he would still have advanced classical dance as a contemporary art form. But he’s pushed the genre even further by adding non-classical motifs: ciphers, call and response, breakdowns and other blues and jazz forms, along with traces of Africa-derived movement. The result is neoclassical dance that is more democratic and can contemplate, with open eyes, the beauty and travail of being human.

These qualities are on vivid display in “Meyer,” King’s 2013 collaboration with renowned bassist Edgar Meyer, which was featured Wednesday night in the company’s opening of its fall season at Yerba Buena Center for the Arts in San Francisco (through Nov, 6), Unfolding with some of the juiciest dance you can see this side of the Mississippi, it begins with long-limbed LINES veteran Courtney Henry against a backdrop of a single gold best pointe shoes online line of falling liquid in an environment of ambient water sounds (Jim Doyle), Henry slowly pours her arm through space, investigates the floor like a diviner, then thrusts elbows, wrists and knees with the angularity of a long-legged shore bird..

Spellbinding newcomer James Gowan follows in “Sextet ‘Trio Movement A’,” liquidly flying through space then solidifying upon landing with Meyer’s deep lively (recorded) bass work driving time forward. Michael Montgomery, who takes the stage with boyish virtuosity, eventually joins in, as do Babatunji, who exudes wise, shape-shifting stoicism, and Jeffrey Van Sciver, who seems at once dramatic and introverted as he tears up space. The lovely Yujin Kim and Courtney Henry joined the fevered action.

While in this kind of work there is no story line, there are movement poems with allegorical best pointe shoes online allusions, In section IV, “Quartet Trio 88 Movement 1,” Adji Cissoko and Jeffrey Van Sciver bring in the inevitable struggle between couples or small groups that King often returns to, while in section V the struggle assumes elements of madness, and of the thrill and danger of divination and chance, as well as the strange behavior of the herd, King’s optimism here circles around to group celebration, as though restoring what is broken..

As in the best of King’s work, the music in “Meyer” is a collaborator with the dance in a conversation that leads to something greater than the sum of its parts — work that is allusive and poetic. This wasn’t the case in the night’s world premiere, “Art Songs,” set to four classical vocal scores sung slightly off-key by mezzo-soprano Maya Lahyani, whose breathing disrupted her melodic lines. Here LINES never quite left the territory of interpretive dance, despite the great elegance and virtuosity of the dancers and the ethereal beauty of the lighting and costume design (James F. Ingalls and Robert Rosenwasser, respectively).

Alternating between ensemble work and small groups, “Art Songs” became a series of dances where the movement often mimicked the spatial changes in the sound and transformed the dancer into a calligrapher’s brush, rather than an independent agent in conversation with the music, It was made all the more confusing by Lahyani’s presence on stage bedecked in a giant obelisk of a coat (Colleen Quen) that crossed an Elizabethan look with what a purveyor of the dark arts might hope to wear, “Art” did afford the Bay Area audience an opportunity to watch the wonderful Meredith Webster — a nine-year veteran of LINES — return to dance, And the new work did find other avenues of expression, as in the final aria, “Dido’s Lament,” by Purcell, one of the most heart-rending songs in the genre of songs by a woman betrayed, But best pointe shoes online even there the dance mis-stepped: This is the goodbye of a woman who has given up her kingdom for sneaky Aeneas, but King gives us a duet by an equally paired struggling couple (Yujin Kim and Michael Montgomery), Layani’s flaccid delivery and King’s tone-deaf response made for the sorriest “Dido’s Lament” in memory..

Ingrid O’Donoghue’s class at Van Meter Elementary held their own against professional dancers from the Los Gatos Ballet who stopped by to teach the second-graders about ballet stretching, technique and choreography. It may have seemed a little out of place, but Van Meter Elementary School was the backdrop for pirouettes and demi-plies last week, but without the fancy tutus and pointe shoes. Dressed in T-shirts, jeans, shorts and leggings, Ingrid O’Donoghue’s class held their own against professional dancers from the Los Gatos Ballet, who stopped by to teach the second-graders about ballet stretching, technique and choreography, as well as how to appreciate the dance form.

Their teacher said she couldn’t have been more thrilled to see the students get excited and amazed “by the fact that professional athletes use the exercises in ballet to strengthen and enhance their abilities in other sports.”, “I think it is an excellent way to introduce all students to the fun, challenge and history of ballet, an activity that best pointe shoes online many may not have the benefit to experience, both as an option of a sport or exposure to a performing art,” said O’Donoghue..

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