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Details: 2 and 6:30 p.m. (early show listed as sold out); $35-$95; sanjosetheaters.org. 4 Diablo Ballet: The talented Walnut Creek company wraps up its 23rd season with a promising program featuring Trey McIntyre’s “The Blue Boy,” set to Beethoven’s Piano Concerto No. 1; Val Caniparoli’s mirthful “Gustav’s Rooster” and the world premiere of “Magnificent Void” by Robert Dekkers, performed to live music. Details: 8 p.m. May 5, 2 and 8 p.m. May 6; Del Valle Theatre, Walnut Creek; $27-$47; 935-943-7469, diabloballet.org.
5 Sofya Gulyak: The Russian pianist is the only woman to capture the Leeds Piano Competition prize and has won praise around pointed toe flats with arch support the globe for her delicate and dazzling artistry, She comes to San Jose’s Trianon Theatre May 7 to perform a program of Clementi, Tchaikovsky, Shostakovich and more, She’ll be available for a meet-and-greet after the recital, Details: Presented by the Steinway Society; 2 p.m.; $40-$60; 408-990-0872, www.steinwaysociety.com, 6 Toshi Reagon: The singer-songwriter and musician is known for her earthy and passionate songs that envelope classic blues, gospel, rock and 1960s folk and range in theme from liberal politics to deeply confessional stories about her life, She comes to Berkeley’s Freight & Salvage on May 6 with her band BigLovely..
Details: 8 p.m.; $35-$38; 510-644-2020, thefreight.org. 7 The Flaming Lips: Wayne Coyne, frontman for this Oklahoma art-rock band, has somehow managed to fashion himself as the world’s strangest rock star, and not just because he’s major buds with Miley Cyrus. The band’s sound has been embraced as wildly creative and derided as painfully precious. Its shows have been known to feature Coyne performing in a large plastic bubble and people crowding the stage in crazy costumes. The Lips are touring behind the new album “Oczy Mlody” and come to Oakland’s Fox Theater May 10. Klangstof opens.
Details: 8 p.m.; $49.50; www.apeconcerts.com, 8 Pear Slices: Pear Theatre presents this show consisting of eight brand new short plays by writers whose works have graced the stage in the past: Paul Braverman, Max Gutmann, Leah Halper, Susan Jackson, Elyce Melmon, Bridgette Dutta Portman and Douglas Rees, Details: May 5-28; Pear Theatre, Mountain View; $28-$32; thepear.org, 9 Macy Blackman: The popular Bay Area singer and pianist is known for his lively and faithful renditions of New Orleans blues and soul standards, He and his band comes to Armando’s nightclub in Martinez on May 5 pointed toe flats with arch support to showcase their new album, “Shoorah Shoorah — The Songs of Irma Thomas and Allen Toussaint.”..
Details: 8 p.m.; $15; 925-228-6985, armandosmartinez.com. 10 Awesome Orchestra: The 4-year-old Bay Area outfit is known for its Open Sessions concerts, in which any musician can sign up and participate and pick up their sheet music right before the performance. Concerts — always free — can sometimes features 100 musicians, and the idea is to make the performance a fun, communal experience. The orchestra performs its 50th Open Session, featuring works by Copland, Harry Nilsson and Bay Area composer Alex Van Gils, on May 5, as part of Oakland’s First Fridays celebration.
Celebrations for the 50th anniversary of the “Summer of Love” are underway, and, as the saying goes, “If you can remember the ’60s, then you weren’t really there.”, But for those too young to recall that era or who need their memories jogged to focus on the key ingredients — drugs, sex, rock pointed toe flats with arch support ’n’ roll, hippies, yippies, communes and the counterculture — the Smuin dance company can help, Its season-closing program opens in Mountain View May 5-7, first stop on the company’s four-city tour, with the world premiere of “Be Here Now,” acclaimed choreographer Trey McIntyre’s tribute to that famous summer in the ’60s, If his previous commission for this company — 2010’s highly-praised “Oh, Inverted World” — is any indication, his latest piece (titled after the book by Ram Dass) should be totally fab..
The Smuin company approached him about making a work to commemorate that pivotal summer, and, despite being too young to have had any direct experience with it, “I was excited about it right away,” says McIntyre in a phone interview. “I am generally interested in popular music, and I’m interested in making pieces where I get to explore a culture or a historical period, but not necessarily create a narrative. “To learn about what that summer meant for San Francisco and what it meant culturally and get to immerse myself and learn from it has been a journey,” the choreographer continues. “Among everyone I talked to who was there, I don’t think I found two people who had the same opinions about it. What that summer meant (to them) is wildly different. It was a bit of a Rorschach test for people, in that they could implant their life experience onto what was available at that time.
He says, “In the arts, it’s much the same way, When I make a dance, I don’t have an agenda for what someone is supposed to get out of the work, I create pointed toe flats with arch support context that has a lot of meaning and comes from an authentic place of caring, Then the audience has to complete it by injecting their own experience into it.”, Since the score features a playlist of songs by icons of the period — the Mamas and the Papas, Sly and the Family Stone, Janis Joplin, the Steve Miller Band, the Hollies, Jefferson Airplane and the Youngbloods — audience members may find it hard to resist dancing in the street — I mean, aisles..